Despite a big budget and a host of A-list actors, Tom Hanks’s JFK flick “Parkland” proved to be a dud, As I wrote here last year, “The fact that the movie tanked at the box office and puzzled critics indicated its presentation of JFK’s murder as a fairly ordinary homicide in Texas had no resonance, even with elite media organizations imbued with a cultural affinity for the lone gunman theory.
But the story of the forces behind the making of the movie, explored in James DiEugenio’s book “Reclaiming Parkland,” is an in-depth tale of the collusive culture-making machinery of Hollywood and major news organizations.
The assassination of President Kennedy was, among other things, a seminal event in the history of mediated imagery.
From the moment Abraham Zapruder captured the gunfire that killed the president to Olvier Stone’s 1991 hit “JFK”, to the present when Hollywood still seek to explore, exploit, and explain November 22, 1963, projected film has been a key–perhaps the key–to the way we visualize and understand JFK’s death. Read more
Tom Hanks’s JFK feature film, “Parkland,” premiered at the Venice Film Festival on Sunday. The movie, starring Paul Giamatti and Zac Efron, is “not out to pick a fight” over conspiracy theories,” says director Peter Landesman.
The problem, says one early review, is that the film starts out “tense and stirring,” only to slide into “TV movie solemnity” and, worse yet, “camp.”
“We had him and we could have stopped him,” rages an FBI agent in the just-released trailer for Tom Hanks’s forthcoming JFK movie, “Parkland.” It looks to be a powerful scene based on the true story that accused assassin Lee Harvey Oswald visited the Dallas FBI office on October 15, 1963, and left a note alleging harassment of his wife.
What you won’t see in “Parkland” is why the FBI was so clueless about the man who would be arrested one week later for killing President Kennedy:
Because senior CIA operations officers wanted it that way.
Here come snapshots from Tom Hanks’s upcoming JFK flick, courtesy of the Hollywood blog, Rope of Silicon.
Among the star-studded cast, Paul Giamatti plays Abraham Zapruder, the Dallas dressmaker who filmed the fatal motorcade. It sure looks like the movie will replicate the look of 1963 with the panache of “Mad Men.”
Last month, in an empty movie theater in Washington, DC, I saw “Parkland,” the Tom Hanks-Peter Landesmann film about the assassination of President Kennedy. I was so underwhelmed I didn’t know what to say.
The fact that the movie tanked at the box office and puzzled critics indicated its presentation of JFK’s murder as a fairly ordinary homicide in Texas had no resonance, even with elite media organizations imbued with a cultural affinity for the lone gunman theory. So I decided I would write something after the 50th anniversary and I never got around to it.
The crew of “Parkland,” Tom Hanks’ forthcoming JFK film, recently met with a campus priest at St. Edward’s University in Austin, Texas, as part of their effort to capture the reality of JFK’s death.
According to reliable Hollywood news reports, Hanks’ movie is based on the theory that President Kennedy was killed by a lone gunman. With the public widely skeptical of that conclusion, the producers evidently believe that the story of a priest who viewed JFK’s body shortly after his death will enhance the movie’s credibility.
Will it? The St. Edward’s University student news site reported:
Hollywood heartthrob Zac Efron has joined the cast of Tom Hanks’ forthcoming JFK flick, Parkland, along with fellow A-listers Paul Giamatti and Billy Bob Thornton.
Student of the Warren Commission?
With its all-star cast and reassuring agenda, Parkland is shaping up as the feel-good event of 2013 for those who don’t want you to worry about the legacy of the American national security state. Pre-production publicity makes clear that Parkland (the hospital where JFK was declared dead) aims to breath new life into the government’s old theory that the violent removal of the liberal president from office in 1963 was a meaningless deed committed for no reason by a lunatic. Matinee message: eat your popcorn and swallow the “tragic absurdity of life.”
Tom Hanks’ take on the JFK story is advancing. The actor/producer’s feature film, Parkland, about the events of November 22, 1963, has signed on A-list actors, Billy Bob Thornton, Paul Giamatti, and Jackie Weaver. The producers say the talented thespians will bring VIncent Bugliosi’s 2007 book, “Reclaiming History” to life. That will be a challenge.
Bugliosi’s tome is a flabby 1,600 page doorstop of polemic that managed to Read more