Jason Leopold has the story:
The CIA’s involvement in the production of Zero Dark Thirty (effectively exchanging “insider” access for a two-hour-long torture commercial) has already been well-established, but the agency’s role in the production of Argo—which won the Best Picture Oscar for 2012—was heretofore unknown.
Source: CIA’s Work With Filmmakers Puts All Media Workers at Risk — FAIR
With Natalie Portman already signed on to play the former First Lady and the recent news that Peter Sarsgaard is in final negotiations to play Robert Kennedy, Jackie is stacking up to be a movie that will go down in history as one of the best.
Source: A New Jacqueline Kennedy Onassis Biopic Is In The Works, So It’s Time To Brush Up On Your American History | Bustle
Despite a big budget and a host of A-list actors, Tom Hanks’s JFK flick “Parkland” proved to be a dud, As I wrote here last year, “The fact that the movie tanked at the box office and puzzled critics indicated its presentation of JFK’s murder as a fairly ordinary homicide in Texas had no resonance, even with elite media organizations imbued with a cultural affinity for the lone gunman theory.
But the story of the forces behind the making of the movie, explored in James DiEugenio’s book “Reclaiming Parkland,” is an in-depth tale of the collusive culture-making machinery of Hollywood and major news organizations.
From DiEugenio’s website, Citizens for Truth About the Kennedy Assassination:
Michael Beschloss’s tweet about JFK meeting with Barbara Streisand is a reminder.