In Literary Agents, Patrick Iber of the New Republic delves into the role of the CIA in the culture Cold War. He doesn’t specifically mention the role of Cord Meyer and James Angleton but they were probably the two CIA officials most responsible for CIA cultural funding between 1954 and 1967,
Iber captures what was most problematic about the CIA’s role, something I will touch on in my forthcoming Angleton biography.
In 1966, The New York Times confirmed suspicions that the CIA was pumping money into “civil society” organizations: unions, international organizations of students and women, groups of artists and intellectuals. The agency had produced the popular cartoon version of George Orwell’s anticommunist classic Animal Farm in 1954. It flew the Boston Symphony Orchestra on a European tour in 1952, to counter prejudices of the United States as uncultured and unsophisticated. It promoted the work of abstract expression
Source: Literary Agents | New Republic